This modern labyrinth has roots that stretch back
thousands of years. Mazes and a range of labyrinth designs are found all
around the world in many cultures and civilizations. They are found carved
into rock, ceramics, clay tablets, mosaics, manuscripts, stone patterns,
turf, hedges, and cathedral pavements.
The earliest known designs are about 3,000 years
old.
The labyrinth has, since ancient times, been
associated with the legend of the Minotaur, the half-man, half-bull monster
who dwelt in the heart of a maze on the island of Crete. Theseus was able to
get to the center of the labyrinth, slay the Minotaur, and find his way out
again by following the thread he had trailed behind him on the way in. The
story has caused confusion ever since, because clearly the Minotaur’s liar
was a maze that you could get lost in, whereas a labyrinth, however
confusing it looks, has only one twisting pat that weaves its way to the
center and back out again. There is only one entrance and one exit, no dead
ends, and no crossing of paths with a choice of which way to turn.
The Romans adapted the ancient labyrinth as a
decorative floor pattern, and developed the Roman pattern into a new an
beautiful form, which was used as a feature in many medieval cathedrals. It
was marked out on the floor in colored stoned or tiles, usually between 10
and 40 feet in diameter. The pattern used at Chartes Cathedral in northern
France is the archetype and perfection of all medieval labyrinths.
While we cannot be sure what the labyrinths were
used for, they were clearly a symbol of the Christian way, representing the
path of the soul through life. Between 17th and 19th
centuries many were destroyed and those that remained weren’t used.